Selected Exhibitions:

    • Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific "Body", April-June 2004, Space Between Exhibition, John Curtin Gallery Perth Western Australia
    • “Extra Ear ¼ Scale” in collaboration with Stelarc, Feb-March 2004, Art in the Biotech Era, Adelaide International Arts Festival.
    • “The remains of Disembodied Cuisine” part of Spike , UTS, Sydney Feb-March 2004.
    • “Extra Ear ¼ Scale” in collaboration with Stelarc (Installation and Performance), October 2003 the National Review of Live Art , Australia .
    • “Extra Ear ¼ Scale” in collaboration with Stelarc, September 2003 National Gallery of Victoria, Melbourne Australia .
    • “MEART – The Semi-Living Artist” ArtBot, August 2003 New York .
    • “Extra Ear ¼ Scale” in collaboration with Stelarc, May 2003 Kapelica Gallery, Ljubljana , Slovenia .
    • “The Pig Wings Project” March 8 - May 25, 2003 , at DeCordova Museum Lincoln ( Boston ), Massachusetts , USA , part of the Boston CyberArts Festival.
    • “Disembodied Cuisine” and “The Tissue Culture & Art(ificial) Womb” part of L'art Biotech group exhibition of biological art 14 th March – 4 th May 2003 la lieu unique, Nantes , France .
    • ‘Biofeel', Biannual of Electronic Arts Perth 2002, Perth Institute of Contemporary Arts. Curator and a participating artist.
    • ‘Pig Wings' , ConVerge, Adelaide Biennale of Australian Arts, Art Gallery of South Australia, 1st march- 25th April 2002 .
    • ‘The Tissue Culture & Art(ificial) Womb III' , ‘ Unmediated Vision ', Salina Art Center, Kansas, USA, 26 th January - 30 th March 2002 .  
    • ‘Fish & Chips' Ars Electronica, ‘Takeover', Linz , Austria , September 2001.
    • ‘The Tissue Culture & Art(ificial) Womb III' Transhuman, Kenderdine Gallery, University of Saskacthewan , Canada 10 th September – 21 st October 2001 .
    • Digitized Bodies, Virtual Spectacles' Biomedia Installation Environment, curated by Nina Czagledy, InterAccess Electronic Media Arts Center Toronto Canada , November 2000.
    • ‘The Tissue Culture & Art(ificial) Womb II' Deluxe Media Art , The Australian Photography Centre, Sydney , Australia , October 2000.
    • ‘The Tissue Culture & Art(ificial) Womb' Ars Electronica, ‘The Next Sex' Installation, Linz , Austria , September 2000.
    • ‘Digitized Bodies' on-line exhibition http://www.digibodies.org/online/ June 2000.
    • ‘The Stone Age of Biology' part of Perth International Arts Festival 2000, Scitech Discovery Centre, February 2000.
    • Art-ID/Cyb-ID: identities in cyberspace, online www project at the Bienal de Artes Visuais do Mercosul, in Porto Alegre , Brazil . November, 1999.
    • ‘Metis' Exhibitions of Science and Art, National Science Week, 1999, Canberra .
    • ‘Series of nine & twelve': January – March 1999. nucastle Café Western Australia .
    • ‘Viruses and Mutations', a group exhibition, part of Melbourne International Festival, 1998, Melbourne .
    • ‘Tissue Culture & Art' + ‘Art and Science', a group exhibition at The Australian and New Zealand Society for Cell and Developmental Biology (ANZSCDB), 1998, Adelaide .
    • ‘Art and Science' at Lawrence Wilson Gallery , a group exhibition with the Department of Anatomy and Human Biology University of Western Australia, 1998.
    • ‘The Tissue Culture & Art Project – Stage One' at Perth Institute of Contemporary Art , Western Australia 1998.

Selected Public Talks/symposiums/papers:

    • Space Between, John Curtin Gallery, Perth Western Australia (Key note address) April 2004.
    • SymbioticA, Exploratorium San Francisco , February 2004.
    • Oron Catts, Clean Rooms: Art Meets Biotechnology Symposium, The Art Ctatlyst in collaboration with the Natural History Museum, London 20 th June 2003 .
    • Larger than life, European Media Arts Festival, Osnabrueck , Germany 25 th April 2003 .
    • The Art of the Semi-Living, Ecole Des Beaux-Arts , Nantes 15 th April 2003 .
    • SymbioticA and Fish and Chips, Agora Des Sciences, Marseilles , France , 11 th April 2003
    • Art Biotech at the Maison Européenne de laPhotographie in Paris , 10 th April 2003 .
    • The Performative aspects of the Semi-Living, Live Culture Symposium, Tate Modern , London . 30 th March 2003 .
    • Are The Semi-Living Semi Good or Semi Evil, L'art Biotech Symposium, le lieu unique , Nantes 15 th March 2003 .
    • Transformation: When Art and Sciences Meet
      Celestial City, Perth International Arts Festival , 29 January 2003 .
    • Growing Semi-Living Sculptures, ELAM , School of Arts , New Zealand , 16 th December 2002 .
    • "Semi-living Art and Symbiotic Relationships – Wet Biology Art Practice and Art/Science Collaborations." UCLA , USA , 12 th December 2002 .
    • Growing Semi-Living Sculptures, The Art Institute of Chicago , 10 th December 2002 .
    • Art and Science collaborations in SymbioticA, Art Science Collaborations Inc, New York , 8 th December 2002 .
    • The Semi-Living of TC&A, Rensselaer 's Polytechnic Institute iEAR Studios, 5 th December 2003
    • SymbioticA and Fish & Chips, Blind Date forum, Postam Germany 21 st November 2002 .
    • Breaking the Code - Disability and Genetic Engineering Panel, Art of Dissent Conference , Melbourne , 22 nd October 2002
    • ‘Symbiotic or Parasitic? - Art, Science and Industry Collaborations', Experimenta's New Visions Forum , Melbourne, 12 September 2002
    • ‘Semi-Living Entities on Pedestals', Dead or Alive, Galerija Kapelica , Slovenia 18 th June – 07 th July 2002 .
    • “How far is too far?” Keynote Speech, Arc Art 02 , Art on the Edge Reflections upon Extreme (Media) Art Practices Tromsø , Norway January 26th-27th, 2002
    • Semi-Living Sculptures, ‘Emerson Collage Boston USA , October 31 st 2001
    • Fashioning the Future, Science Technology and Visions of Progress, 4S Conference 2001, Society for Social Study of Science, MIT, Boston USA , November 1 st 2001
    • Technology & Self Meeting (Professor Sherry Turkle), MIT Society Technology and Science Programme Boston USA , November 5 th 2001
    • Department of Art & Technology, Chicago Art Institute, Chicago USA , November 7 th 2001 .
    • Department of Conceptual Information Arts, SFSU SF USA , November 9 th 2001 .
    • San Francisco Exploratorium SF USA , November 12 th 2001 .
    • ‘SymbioticA' Ars Electronica, ‘Takeover Symposium' , Linz , Austria , September 2001.
    • New York University (Center for Advanced Technology (CAT) NYU – The CAT's MEAOW Lecture Series ) 21.3.2001.
    • “Growing Semi –living Sculptures” - Art & Biology Meeting at The Massachusetts Institute of Technology Biology Department 19.3.2001
    • “The Tissue Culture & Art Project Talk”, Wexner Center for the Arts , Ohio State University 7 th March 2001
    • The Tissue Culture & Art Project- Art & Expression at The Massachusetts Institute of Technology, Media Lab, 26 th February 2001
    • Introduction to Semi-Living Objects, Program in Science, Technology, and Society Massachusetts Institute of Technology 6 th February 2001
    • The Tissue Engineering & Organ Fabrication Laboratory, Presentation at CIMIT , Massachusetts General Hospital 2 nd January 2001
    • “The Stone Age of Biology – The Transformation of Archeological Relics into the Semi-Living Object of the Future” Theoretical Archeology Group, Oxford University , England , December 2000.
    • ‘Tissue Culture & Architecture” The Art Institute of Chicago , Chicago USA , October 2000.
    • ‘The Tissue Culture & Art(ificial) Womb' Ars Electronica, ‘The Next Sex' Symposium, Linz , Austria , September 2000.
 
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